RVA Fall Fashion Weekend: Runway Show
Story by Jacynth Serrano Rodriguez Photos by Byron Koranteng RVA’s Fall Fashion Weekend concluded last Saturday night downtown at the City Hall Observation Deck. As guests began to arrive, there were boots galore. Ankle booties, over the knee, stacked-and-stiletto-heeled, and leather. Although there was a killer breeze up there, the looks of the guests and designers were enough to keep it hot on the Deck. As the orange and red lights rose and the sun went down, the show began with Haus of PLV. The collection consisted of several color-blocked pieces that effortlessly mixed textures, prints and hues to make bold statement looks. Some pieces included rich fall colors like deep red, forest green paired with black, and tan-striped, color-blocked shirts with leather-like sleeves. Most models wore some variation of the signature graphic tee with a series of roses printed across the chest. These t-shirts could be paired with an asymmetrical pencil skirt, neutral-colored skinny jeans, or even corduroys. Next up was Sweetest Stitch; the pieces from this collection were highlighted by several simplistic details like softly ribbed tops and dresses, strategic and elegant cut-outs on the backs of select pieces, scalloped trims and delicately cinched waistlines. Wild Wild Woman brought cohesion through their cheeky graphic tees sporting the slogan, “Richmond Made Me Do It”. These tees were paired with pieces such as a tweed-like pencil skirt and a show stopping glittery rose gold maxi skirt. However, heads turned the minute the first Stitch89 model made her way down the runway. Looks consisted of a mesh form-fitting piece with cleverly placed pleather to cover the breasts and a matching pleather skirt. The sexy-yet-sophisticated look was paired with a fitted bomber of red, green, and highlights of gold. Other looks included a camel-colored, suede-like crop top and pencil skirt, and a cadet blue distressed dress complemented by its immaculate cut-out neckline. A favorite in the collection was a stunning asymmetrical emerald green tube top and matching long and luxurious cardigan coupled with a pleather mini skirt. There were tons of textures and finishes in this collection that begged to be worn on and off the runway. Another stunner collection emerged right after as Tough Cookie models took to the runway. The brand donned several eclectic pieces rich in quality and texture, from an ever-edgy ‘biker chic’ statement leather jacket with mesmerizing fringe (tres fall) to a comfortably oversized, dusty pink, cowl-neck sweatshirt, yet another fall must have. However, the most unique piece was a vivid blue, rabbit fur, cropped jacket paired with an iconic evil eye graphic sweatshirt. In terms of menswear, guests went berserk over the ultra-violet, velvet drop crotch pants. Several gowns in this collection left guests in total awe, but the true standout was the ‘Silver Surfer’ sequined cutout dress that clearly looked like it was worth millions. Other gorgeous formal pieces included the Mayven gown glittered in all its sheer gothic glory, and the rich velvet emerald green wrap dress classically cinched at the waist with a broach. Tangee’s Closet collection was a complete show stopper, impressing the guests with her ingenuity and innovation evident in her playful pieces. Highly saturated hues took these surreal designs to another level. Specifically, The Custom V Neck Romper and matching sun hat, and the asymmetrical neckline mermaid cut dress with a graciously open back, left many guests with heart eyes. The multi colored plush hooded coat had everyone begging for one of their own as the wind picked up in the Observation Deck. Trunk Up Boutique’s collection completely represented the feeling of fall. The classic plaid poncho worked well dressed up or down, as did their adorable printed baby doll dress. Statement pieces included a gorgeous ruby colored goddess cut gown, and a hot pink a-line dress with a neat and chic bow in the back. Tailor’s classic refined looks graced the runway next in various fall tones and hues. The grey Bradford coat, nearly metallic, is a major key to fall fashion success. Other collections had menswear pieces, but 707, a fine men’s clothing store nestled in the Jackson Ward, showed out for all the guys. Various pops of color found in the stitchwork of blazers and floral lapel pins were a pleasant surprise in this dapper menswear collection. Cohesive tie and dress shirt combos complemented each model respectively. From the classic tuxedo to more wildcard looks, from business casual to formal, 707 dished out look after polished look. The final collection on the runway was Angelia’s Couture, these high fashion pieces captured attention with their intense cuts and shapes and the use of feathers. One standout piece was a navy blue strapless gown, the neckline trimmed with navy and ivory feathers with an elegant tail made of the same. While it was a relief to make my way into the huddle of warm bodies in the lobby once the show had finished, I pined for some of the exquisitely crafted and brilliant executed looks. Story by Jacynth Serrano Rodriguez Photos by Byron Koranteng RVA’s Fall Fashion Weekend concluded last Saturday night downtown at the City Hall Observation Deck. As guests began to arrive, there were boots galore. Ankle booties, over the knee, stacked-and-stiletto-heeled, and leather. Although there was a killer breeze up there, the looks of the guests and designers were enough to keep it hot on the Deck. As the orange and red lights rose and the sun went down, the show began with Haus of PLV. The collection consisted of several color-blocked pieces that effortlessly mixed textures, prints and hues to make bold statement looks. Some pieces included rich fall colors like deep red, forest green paired with black, and tan-striped, color-blocked shirts with leather-like sleeves. Most models wore some variation of the signature graphic tee with a series of roses printed across the chest. These t-shirts could be paired with an asymmetrical pencil skirt, neutral-colored skinny jeans, or even corduroys. Next up was Sweetest Stitch; the pieces from this collection were highlighted by several simplistic details like softly ribbed tops and dresses, strategic
RVA Fall Fashion Weekend: Trunk Show
Story by Maddy Murrow Photos by Jacynth Serrano Rodriguez If you weren’t there you missed out on a night of art, fashion and fun. Check out more about the brands by clicking on the links in this article. browse around here
VCstyleU: Dalvida Palmer
Story and Photos by Jacynth Serrano Rodriguez Sitting at an umbrella-ed table outside of Urban Farmhouse on Broad Street, Dalvida is wearing unapologetic black lipstick which she says is the usual for her. She’s got a wild mane of curls loosely bound atop her head and as she speaks I notice there are tiny red flowers placed almost effortlessly in the dark sea of her hair. The rest of her look is a dark punky mix with her graphic tee, black denim mini skirt and signature chunky heeled combat boots. Make no mistake, Dalvida is a frontierswoman in terms of looks, saying of her personal style, “It’s really funny, I think my fashion sense kind of reflects my personality in the sense that, I don’t really have…limits in who I am.” This explanation makes perfect sense to me since when I first spotted the chameleon on campus she was wearing a starkly polished and professional look featuring a white blouse and a corduroy overall mini dress. People sometimes look at others wistfully and wish for the confidence to be bold in what they choose to wear and to those people, our girl Dalvida has your back. “My mindset is, if you like, put it on your body and that’s it!” A limitless lady, Dalvida Palmer is a sophomore double majoring in Political Science and African American Studies. When asked about the politics of what we throw on, Dalvida said, “Fashion is such a good tool for making statements—and political statements. There’s so many ways that fashion allows you to make statements that you aren’t necessarily comfortable expressing verbally, you know what I mean? The rise in Dashiki, my friends and I were just talking about this, is a huge political statement because it’s saying people are now embracing African roots, embracing black culture.” Dalvida is all about women who are able to make statements in clothing that is considered “non-traditional”, like menswear. She told me she never went to a prom but if she had, she would have totally rocked out a slick pantsuit. And that is just the type of girl Dalvida is, a powerhouse woman who believes what we wear and what we feel go hand in hand, and that the key to that is confidence. She believes her time attending a high school , also a boarding school, helped shaped her fashion sense. In a school of about 170 girls, there were no uniforms, only the general dress code which Dalvida believes was more lax than some public schools. Her senior year, ambitious Ms. Palmer became the student body president and says she got little hints that she was now held to a somewhat higher standard as she represented the face of her school. “Because I was always meeting parents and the Board of Trustees and what not, I definitely stepped up my style. I think it’s where I really got the sense of, I like looking powerful, you know? And that started at my school because I never knew when I would be representing the school.” She rattled off a few stores she frequents when she’s got the funds but says majority of her closet is filled with thrifted pieces, which she likes for economic and individual reasons. She loves Rumors on Broad, and several small shops in Carytown. “Fashion isn’t the type thing you own by saying you know, ‘That’s my article of clothing’ but just by wearing it better than anyone else.” There it is, a lesson in confidence, in power and individuality from dynamo Dalvida Palmer who stands at a mere 5’2 and packs a major punch. Story and Photos by Jacynth Serrano Rodriguez Story and Photos by Jacynth Serrano Rodriguez S itting at an umbrella-ed table outside of Urban Farmhouse on Broad Street, Dalvida is wearing unapologetic black lipstick which she says is the usual for her. She’s got a wild mane of curls loosely bound atop her head and as she speaks I notice there are tiny red flowers placed almost effortlessly in the dark sea of her hair. The rest of her look is a dark punky mix with her graphic tee, black denim mini skirt and signature chunky heeled combat boots. Make no mistake, Dalvida is a frontierswoman in terms of looks, saying of her personal style, “It’s really funny, I think my fashion sense kind of reflects my personality in the sense that, I don’t really have…limits in who I am.” This explanation makes perfect sense to me since when I first spotted the chameleon on campus she was wearing a starkly polished and professional look featuring a white blouse and a corduroy overall mini dress. People sometimes look at others wistfully and wish for the confidence to be bold in what they choose to wear and to those people, our girl Dalvida has your back. “My mindset is, if you like, put it on your body and that’s it!” A limitless lady, Dalvida Palmer is a sophomore double majoring in Political Science and African American Studies. When asked about the politics of what we throw on, Dalvida said, “Fashion is such a good tool for making statements—and political statements. There’s so many ways that fashion allows you to make statements that you aren’t necessarily comfortable expressing verbally, you know what I mean? The rise in Dashiki, my friends and I were just talking about this, is a huge political statement because it’s saying people are now embracing African roots, embracing black culture.” Dalvida is all about women who are able to make statements in clothing that is considered “non-traditional”, like menswear. She told me she never went to a prom but if she had, she would have totally rocked out a slick pantsuit. And that is just the type of girl Dalvida is, a powerhouse woman who believes what we wear and what we feel go hand in hand, and that the key to that is confidence. She believes her time attending a high school , also a
A Mind for Metals: The Craft Behind Liberatus Jewelry
Story by Jacynth Serrano Rodriguez Photos by Monica Escamilla Video by Spencer Sease The genius behind Liberatus Jewelry, with her blonde choppy bob and an affinity for metal, is a modern day Tinker Bell. Pausing for a beat with her at Lift Coffee Shop & Cafe in Richmond’s art district was brief, refreshing and inspiring. At a mere 23 years old, Ms. Ginny Rush took a leap of faith in starting her own line of jewelry. As a Christian artist, Ginny reverences her true inspiration, God, to inspire her creative process. During our chat, Ginny explained the meaning behind Liberatus. “It’s Latin, it means like a freed, redeemed kind of thing, and there’s a little bit of a faith aspect to that,” she said. From there it was clear there was something inherently more powerful to be said about the stunningly gentle pieces in her collection. While she’s always had a passion for and been fascinated with the idea of directly manipulating materials, much of Ginny’s growth as an artist should be credited to an abundance of art courses she took both in high school and at VCU. She initially came to VCU’s Art Foundation Program (AFO) as a sculpture major, but later found her niche in crafting jewelry. With hard work and a bit of elbow grease, Ginny creates finished products that showcase the craftsmanship created by her labor love. However, make no mistake she gladly welcomes the almost rusted appeal of her work. When asked about the rugged nuances of her pieces Ginny said, “When I make something, I want someone to wear it and love it, and like live in it–have experiences in it so that it’s like a physical visual representation of time passing.” Ginny had no problem gushing over her greatest artistic influences: Ashley Buchanan, Tara Locklear, and Anna Johnson. Along with their unmatched skill, Ginny respects the artists for using their art to tackle environmental and women’s issues. Like these artists, Ginny is adamant about the message behind her work. For instance, in her recent Ellipse series, the implementation of the three intertwined ovals is meant to reflect the Holy Trinity. Most of the Liberatus line includes pieces skillfully made from brass, silver, and occasionally copper. Ginny got acquainted with using these particular metals while in the art program at VCU and has stuck with them for affordability. She values more than anything that her pieces are set at a fair price for customers. “An aspect of my jewelry is that I want it to be affordable so that it can be consumed by as many people as possible. So using these metals definitely keeps things in the price range that I would want them to be in.” Although Ginny has not yet opened a storefront, she says she has had plenty of luck when she is out at trunk shows, boutiques and even RVA Fashion Week showcasing her work with a smile. When asked about a day in the life of an up-and-coming RVA jeweler, Ginny rattles off her hectic schedule without a second thought. She currently manages a local boutique, volunteers at an art gallery that doubles as a Christian Missions Organization, and yet still fits in studio time around it all. With all that Ginny is involved in, she exudes the character of a modern renaissance woman. “Wearable, modern, chic.” These are the three words Ginny came up with when asked to describe her brand. If you asked me the three words I would use, they’d be somewhere along the lines of real, simple, timeless, striking. Okay, that’s four. You got me. When you come in contact with any piece of Liberatus Jewelry, you will realize the work that goes into something that looks so effortless. The universal quality of her pieces are yet another aspect that Ginny prides herself on; the versatility can be seen in the Brass Loop Necklace worn by the models pictured above. With Liberatus still being in its infancy, Ginny says the toughest part so far has been her insane hours that coincide with her prior commitments, in addition to the tool and equipment limitations she’s dealt with after graduating from VCU. Nevertheless, Ginny feels blessed to be where she is and to have the support of her friends and family, who attend all of her shows and insist on helping her set up. When asked about any hindsight advice for current students and young people looking to morph their passion into profit, Ginny insists that “You get all your ducks in a row before you launch,” meaning all of the sticky parts of the business that artists may not always consider. “Business licenses, taxes, and all that stuff I didn’t really think about that I had to catch up with,” she says chuckling. “I thought I was gonna be in the studio all the time, but its meetings, coffees with people, going ‘Do you need my jewelry? Do you need my jewelry?’ to shops and stuff,” she says pointing her finger at imaginary shop owners. The tall, slender, hardworking girl who is willing to laugh at herself has everything she needs to make it in this life: sheer talent and a drive to share it with the world. For her, anything is possible. Faith, Rust, (Hard Work) and a little Pixie Dust will take Ginny Rush and Liberatus as far as she sets her mind. Story by Jacynth Serrano Rodriguez Story by Jacynth Serrano Rodriguez Photos by Monica Escamilla Video by Spencer Sease T this article he genius behind Liberatus Jewelry, with her blonde choppy bob and an affinity for metal, is a modern day Tinker Bell. Pausing for a beat with her at Lift Coffee Shop & Cafe in Richmond’s art district was brief, refreshing and inspiring. At a mere 23 years old, Ms. Ginny Rush took a leap of faith in starting her own line of jewelry. As a Christian artist, Ginny reverences her true inspiration, God, to inspire her