Unmasking the Art of the Masquerade
Unmasking the Art of the Masquerade Since the introduction of the masquerade ball in Medieval France, there has been an air of seduction and allure around these typically high profile events. With the original parties surrounding royals and court goers- prestige and power, rendezvous and intrigue are the core of the masquerade. After all, doesn’t anything go once you put on a mask? Carnival season, the period of heavy indulgence before the onset of Lent, was the birthplace of masked debauchery- the streets filled with disguised individuals hoping to give into their temptations one last time before they must rebuke their sins. During this time, the wealthy and the poor were able to celebrate together due to the anonymity provided by the mask. By the 17th century, the ball had been adopted by nobles involved in high fashion, using the events to premier the newest, most decadent styles to the ever watchful eye of the royals. In an age without the internet and social media, the allure of obscured identity was pure and enticing, leaving guests tantalized by the question: who asked me to dance last night? Today, the ball has been transformed into a scene for TV socialites, like Serena Vanderwoodsen and Katherine Pierce, to let loose- and for the more “common” person, a compelling halloween party theme. While there are still high-society balls that occur in places like Venice, Italy and New Orleans, the new wave of anonymous appreciation is lower maintenance while still preserving the coolness of its history. The layers and layers of ball gowns may be toned down to a figure hugging dress in a luxurious fabric, or chopped above the knee. Gloves are still in this year, but opt for a sheer or lace version. For the men, a classy look is always a winner- but try swapping the suit jacket for a trench or adding a funky belt to the get up. Overall, the idea of the masquerade ball is exploration without inhibition, so experimentation in the name of fashion is highly encouraged. Though fashions have changed, the message of the masquerade ring true today: indulgence is human nature.
Leotards and Lace: Defining Ballet-Core
Leotards and Lace: Defining Ballet-Core By Julia Karns Ballet-core is a highly popular aesthetic which originates from the appreciation of the grace and beauty of ballet. The trend-wave was set in motion when Italian brand, Miu Miu, showcased their famous ballet flats in their Fall/Winter 2022 runway show. While ballet-core has certainly become all the rage in high fashion, it has trickled down into more accessible brands such as Zara and H&M. The aesthetic loving platform, TikTok, served as an instrument for creating wide-spread obsession over the newly coined “ballet-core”. But, balletomania has been seen in fashion before, most notably in the 1930’s and 40’s when women’s dress hem-lines rose and the need for things like stockings became more necessary- and therefore an opportunity for the fashion industry. The influence of ballet on fashion can be seen all throughout history from Coco Chanel’s love for tulle in the ‘30s and ‘40s to John Galliano’s Spring 1996 runway to Ming Ha’s beautiful Spring 2023 Ready-to-Wear collection. Whether you start by finding an old bin of dance clothes from your childhood, or by sifting through the lingerie rack at your local thrift, capturing this beautifully feminine look, is absolutely achievable. The key to accomplishing the look is to lean into usage of articles of clothing that might be worn by a ballerina such as tights, leotards, and legwarmers. Choose a starting piece to work from like a wrap top, then add details: lace, bows, your favorite ballet flats. A true ballerina knows the art of layering and you should too. Look to designers like Sandy Liang and Simone Rocha or watch movies like The Virgin Suicides (1999) and Sugar and Spice (2001) for inspiration. For ages, women have been shamed for their silliness or fragility and therefore forced to suppress their femininity. Ballet-core is an appreciation for an art that is so intrinsically feminine- undeniably beautiful, but riddled with pain. The popularity of this girlish aesthetic is a liberating celebration of the beauty of womanhood. Photographer: Josh Brown Creative Director: Carolina Gomez Creative Team: Abbie Rios, Kristina Wise, Maria Canales& Alyssa Carman Modeled by: Nathalie Santis, Lealani Vila, & Meghna Vemuri
This Fall’s Biggest Fashion Trends
This Fall’s Biggest Fashion Trends By Stephania Jugo Everyone’s favorite fashion season is finally upon us. As we have seen in January’s runway shows, the fall season will be expanding on various themes and trends. Silhouettes will look similar to that of the A-line and sheathe looks of the 60s. This fall, pairings will be classic with a pop modern and re-invented accessories. Red has always been a classic staple color for fall. In addition to being a pop of color this year, red will be incorporated into 60s-inspired looks. Red cardigans, coats, and tights are some of the more notable pieces this season. Silver, along with metallics, will continue to trend through the winter season. Metallics will be mostly seen in footwear, such as trending Wales Bonner’s chrome Sambas collaboration, and the juxtaposing ballet flats. The flashy colorway will also be making its way to accessories, such as bags and jewelry. As we have seen on the Gucci and Chanel runways back in January and Tommy Hilfiger’s reinforcement of gold during New York Fashion Week last month, metallics are here to stay. As a part of the ballet-core aesthetic rising, footwear is decreasing its height. Ballet flats, sling-backs and kitten heels will be replacing higher platform shoes. Bows are peaking at an all time high for accessories as a part of this aesthetic trend. Ribbons have been seeked to tie on jeans, purses, sneakers and hair! To keep warm, fur will also be back in season. This wave of fur will be seen in 60s mod hats, vests, and coats, as well on some lining on varying garments. Fur has arguably been a staple for the past couple of fall seasons, especially fur coats. This fall, fur can be dressed up for a special occasion or dressed down for a night out of town. As a part of the ongoing Y2K trend, skinny scarves are back from the previous fall season. While they might not keep you as warm as fur, this knit accessory will be sure to add a funky twist to an outfit. The “quiet luxury” aesthetic has risen as celebrities such as Sofia Richie Grainge and Jennifer Lawerence show off their street style in a moderate way. This aesthetic comes in the form of business casual tops and slacks for an almost effortless look. If paired correctly, the garments create a luxury look and feel. The fall season will be a time for some to experiment with their look through accessories, while keeping it simple and effortless. Creative Director: Carolina Gomez Creative Team: Abbie Rios, Kristina Wise, & Alyssa Carman Modeled by: Nathalie Santis, Lealani Vila, Salma Escoto, & Emerson Groves
NYFW: Trends for Your Spring/Summer Wardrobes
NYFW: Trends for Your Spring/Summer Wardrobe It is that time of the year again, as fashion designers from around the world bring their Spring/Summer 2024 designs to New York Fashion Week. From September 7th to September 13th, models took to the runway to show new designs. This year’s shows focused on mixing authenticity with the maximalism that the audience knows to be luxury fashion, getting back to the root of “everyone can wear this, but still look chic” clothing. Out of all the brilliant designs seen on the runway this year, these five trends are predicted to make a splash in everyone’s spring/summer wardrobes. Ribbons/Bows The childlike accessory has been seen taking social media by storm and isn’t stopping at the runways. Mirror Palais incorporated bows into many designs, embracing the newly popular “ballet core” aesthetics. Some looks included bows in the hair, on the shoes, as neckties and even as print designs on a shirt. Sheer and Lacy The trend of wearing almost transparent clothing out-and-about has already been taken off on social media, and it doesn’t seem to be going away anytime soon. Michael Kors took the lead on this trend with a floral lace twist. The runway featured black and white lace dresses with two pieces that left little to the imagination. Golden Metallics Next summer, designers are encouraging people to shine like the sun itself. Designers, like Ralph Lauren, are showing that gold is quickly replacing the metallic silver that we are used to seeing on the previous runways. 1920s Throwback Like most trends, they cycle from previous years. The 1920s are making their comeback with a drop waist (waistline appearing at the hips rather than the waist) silhouette, seen in Christian Siriano’s collection. Chunky Earrings We have seen chunky earrings gain popularity earlier this month with the Bottega Veneta Drop Earrings, and we are seeing it again on and off the runway at New York Fashion Week. Etro was among many of the shows to bring these statement pieces to life, but the new jewelry trend was also seen on many attendees of the shows as well.
Plus Size Representation At NYFW 2023, And Why We Need More.
Plus Size Representation and Why We Need More With another New York Fashion Week in the books, we saw a multitude of exemplary collections, inventive shows, and endured yet another season of failed plus size representation. The comeback of early 2000s fashion has not only brought back low-rise waistlines, micro-mini skirts, and high-contrast color pallets; the Y2K body has returned and is more sought after than ever before. Being unattainably tall, and impossibly thin are the two main traits of the “ideal” runway body, and while there are a plethora of models who naturally look that way, we need to embrace other bodies as well. Over the last 20 years, our society has evolved in nearly every other capacity; it’s time we ditch a 20 year old beauty standard. Each year that goes by, it’s more apparent that most designers want bodies that fit their clothes, they don’t want to make clothes that fit every body. Brands should not be ticking an ethical box of inclusivity by only including one or two plus size models; they should want to rewrite the fashion industry narrative. After all, they set the rules. During this year’s NYFW, Selkie delivered the most diverse show, and arguably the most entertaining. Not only did they highlight plus-size bodies, they also held space for models of all ages, genders, and abilities. Instead of bodies being used simply as garment racks, it felt as if the clothing items were made for every model, making the pieces even more alluring. Throughout the show, there were a number of almost theatrical performances, and even a touch of burlesque. Selkie deserves its applause for another year of progressive runway casting. Christian Siriano similarly embraced more plus-sized models during his 15th anniversary show this season, sporting a collection full of “ballerina chic” looks. Siriano has been a lead trendsetter in making his runways and collections more size inclusive. He told Elle Magazine in 2018, “Adding plus sizes to my line tripled my business. Why wouldn’t you do that?! Do we not want to triple the business? Do we not think these women should wear our clothes? Do we not want these women to have beautiful things because we’re afraid they’re not beautiful? What is going on here?”
The Best, The Worst and the Most…Something Looks of the 2023 Oscars
The Best, The Worst and the Most…Something Looks of the 2023 Oscars By: Sydney Robinson March 12th was the 95th Academy awards and it was a historical night for many reasons. Everything Everywhere All at Once Swept the major categories, Michelle Yeoh became the second woman of color and first Asian woman to ever win Best Actress, Ruth E. Carter became the first black woman to ever win more than one Academy Award, and Jamie Lee Curtis won Best Supporting Actress to everyone’s disappointment. But in a more shocking development, this year’s red carpet looks were overwhelmingly good, in a stunning departure from years past. Let’s break down the best, worst and most “something” looks of this year. BEST: Fan Bing Bing The reclusive actress wore a billowy Tony Ward couture gown to the ceremony this year, creating a bold silhouette and effectively wiping her tax evasion scandal from all of our minds. WORST: Florence Pugh Florence utilized the same billowy fabric look for her outfit this year, but unfortunately instead of looking like avant garde art it just looks like she’s carrying a pile of laundry. Another miss in a long string of bad outfits this season, clearly she needs to break up with her stylist. Most Something: Elizabeth Banks In a third example of this massive fabric motif, we have Cocaine Bear director Elizabeth Banks. This dress is…a lot but I can’t hate it mostly because I can’t hate her. Cocaine Bear for Best Picture 2024! Best: Bailey Bass Avatar: The Way of Water – and more importantly, Interview With The Vampire – star Bailey bass stunned in a champagne colored gown. At only 19 years old she has cemented herself as not only an acting powerhouse, but a fashion one as well. Worst: Allison Williams As a lover of the queen of camp cringe I’m devastated to have to say it, but this dress is hideous. Miss Williams you are too beautiful to be subjected to this! I want better for you! Most Something: Ana De Armas Since the original Marilyn Monroe happy birthday dress is now ruined and sitting in a Ripley’s vault somewhere – thanks Kim Kardashian – De Armas was forced to settle for a boring knock off. The dress isn’t ugly really, just deeply boring, but I suppose it just reflects her performance in Blonde. Best: Sandra Oh Not only did she look like a stunning Greek goddess, Miss Oh has boldly refused to fall victim to the “no necklace” plague we’re currently experiencing on red carpets. I could talk about this look for days, and I probably will. Worst: Andrea Riseborough This dress had potential, but it washes her out and feels like it clashes against the more punk haircut she’s currently sporting. Personally, it feels like this look is karma for committing category fraud to get herself a Best Actress nomination. Most Something: Eva Longoria I actually see the vision for this one, and I think if it was slightly less busy it would have worked beautifully. The art deco disco ball style dress is wearing her though, she’s not wearing it. Best: Ariana Debose Ariana’s look feels like the more mature and put together version of Eva’s. The toned down sequining feels cohesive and the dress fits her much better. Worst: Lady Gaga While Miss Germonatta is most likely descending into method acting madness while filming Joker 2, it seems she’s brought that insanity to the red carpet. The Dior inspired drop waist just doesn’t work on her short stature, but her hair and makeup look great. I’d recognize that Haus Labs liquid lipstick anywhere. Honorable Mentions: Jessie Buckley The punky sequined Victorian style dress looks great on the Women Talking star. Cara Delevigne Looking stunning in red, Cara reminds us why she was the it girl of our collective teenage years. Malala Yousafzai Looking absurdly beautiful in a glittering hooded gown, Malala makes a good argument for giving her another Nobel prize, this time for fashion.
VCU Becoming: Fashion Show Review
If there’s one thing VCU has in abundance, its beautiful and talented students. This fact was best on display at this week’s Homecoming fashion show, “Becoming”. Helmed by VCU organization Heels Inc, this show was a vibrant display of fashion and culture in the VCU and greater Richmond communities.